We don’t often run ads for houses on the Arch Centre website, but here’s one that you may be interested in. Indeed, you may have even been to a Thanksgiving dinner there once or twice. The architect who designed it, Ted Wood, created a pole house of interesting forms perched up amongst the fantails. The current owner, Tommy Honey, has written a few words:
19 Blackbridge Road – Tommy’s story Read the rest of this entry »
Maximus may have been all fish-out-of-water proposing an inhabited viaduct over Wellington’s the Basin Reserve over at Eye of the Fish, but it seems that somebody is reading that blog over in our good old Mother Country… Boris Johnson, Lord Mayor of London no less… Read the rest of this entry »
Here is a concept, as presented by Graffiti Research Lab, that I quite enjoy. Of course, it isn’t exactly original, and Wellington architecture has seen its fair share of projected imagery, from the poppies on parliament by our own RSA to body moving at Te Papa. Thus, I guess it must be the ever so slight frisson of illicitness that makes this seem more enticing – and, perhaps, the real-time spontaneity and the awareness that for your audience, this is a also a spontaneous urban intervention – not one that is scheduled in your summer city calendar between the Teddy Bear’s Picnic and the Beat Girls performing at the Dell. There is potential here to really say/achieve something however, and that is the motive behind GRI, who want to provide graffiti artists with the tools that would allow them to compete with corporate advertisers to get their message across. Somehow I think the bicycle mounted virtual spray can won’t replace the real bomb anytime soon…
Music creates order out of chaos: for rhythm imposes unanimity upon the divergent, melody imposes continuity upon the disjointed, and harmony imposes compatibility upon the incongruous Yehudi Menuhin
This is an exercise that I show to my first year architectural history students, in the attempt to have them understand some of the values inherent to the knowledge of architectural history. This reasonably iconic Wellington building, when analysed in relation to the rhythm of its fenestration and major vertical elements, I argue, is a good example of notions of symmetry and rhythm in Classical architecture, which are strongly (perhaps jarringly?) juxtaposed here with a more modern development arising from the old (it is not difficult to distinguish the two).
The new development does, however, reference the rhythm of the building upon which it is based, but not in a sympathetic, or even ‘harmonious’ manner. The question is, when reduced down to the basic elements such as this, is the attempt facile, or is it very clever and appropriate to contemporary ideas of architecture, and, perhaps, the irony of ‘sympathetic’ interventions to ‘heritage’ buildings and/or streetscapes? I’m actually yet to decide…
When the actual building is revealed (which it is after the break if you have not guessed it by now), it becomes impossible to judge it objectively when presented by the awful kitschiness of its Postmodernised Classical motifs – but I think there is worth in attempting to do so… Read the rest of this entry »
PUBLIC LECTURE: WEDNESDAY 6TH MAY, VUW SCHOOL OF ARCHITECTURE / 17:30 DRINKS / 18:00 LECTURE
Kerstin is the director of Melbourne based architecture, landscape and urban design practice Kerstin Thompson Architects. The studio’s projects of varying scale “pursue the poetic possibilities of architecture rendered through an overall site vision that orchestrates a complementary organisation of landform, interiors, structures and services to achieve a multidimensional and sustainable environment.”
To mark her appointment as a Teaching Fellow at the School of Architecture, Kerstin will present her body of work, and with reference to her experiences as an Adjunct Professor at RMIT, discuss relationships between the production and teaching of architecture.
Design for a hotel in Wellington, New Zealand using algorithmic architecture generated in Max Script, from 2007 by VUW student Daniel Davis… I’ll leave the commentary up to you this time…